Until September 30th, save over 40% on our Xtra Styles PAKs 1-13 with over 2,200 RealStyles (and 35 MIDI Styles)! Each set is on sale for $29 or get them all in the Xtra Styles PAK 1-13 Bundle for only $199 (reg. What's right for me might be an overkill to another - and my way is not the only correct way to do it. If it's something I may be selling on my site, it has my name on it, so any time I spend making it better is not only worth it, but a source of pride.īut like I said, that's me. However, if it's going to be a backing track for my duo, I'm hopefully going to play it thousands of times, and so any time I put in to make it better is worth it. I do know there are times when you have to go with 'that's good enough'. YouTube, mp3s and other compressed formats often leave out some of the notes if they are not played loud enough. If I'm going to use my ears, I'd prefer an uncompressed copy of the music. If I have to, I'll use my ears, and that will often get me either right on or close, depending on how complex the music is. If I can't get the sheet, a PGV book followed by a fake book can be good. That's another reason why I prefer to get the sheet music. Jazzy stuff can be very difficult, especially when you get extended chords or one chord stacked on top of another. I haven't found anything that gets me even remotely close when analyzing the Brazilian jazz stuff I play. Ever since college 45 years ago, I've been transcribing chord progressions.
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